2021 || Patience/sonic Mikado || GubbiAnn Lun Ário
More: Patience/sonic Mikado
A sonic performance involving temporary sculptures and music made with the real time sounds.
More: Patience/sonic Mikado
A sonic performance involving temporary sculptures and music made with the real time sounds.
2020 || Ephemeral Autonomies || Ann Antidote Genesis Victoria Lun Ário
Ephemeral autonomies: unraveling sound/space with ropes is a site-specific sonic event using shibari as translating gestures of connection and consent into sound. Our aim is to ...(cont.)
Ephemeral autonomies: unraveling sound/space with ropes is a site-specific sonic event using shibari as translating gestures of connection and consent into sound. Our aim is to ...(cont.)
2017 || Rope meets Noise at Loophole - the film || Ann Antidote Notorische Ruhestörung Liv Massei Raja de Luna Misantropikal
More: Rope meets Noise at Loophole - the film
the film (one of many) to the performance with the same name. Camera by Liv Massei and Raja de Luna. Performance Ann Antidote and Notorische Ruhestörung. Thanks to Lun Ário.
More: Rope meets Noise at Loophole - the film
the film (one of many) to the performance with the same name. Camera by Liv Massei and Raja de Luna. Performance Ann Antidote and Notorische Ruhestörung. Thanks to Lun Ário.
2017 || The Rope meets Noise ensemble || Ann Antidote Notorische Ruhestörung
Crossover performance Bondage + improvised (noise) music. We combine here our common taste for bondage and noise music, and we use instruments as basic as possible to compose an...(cont.)
Crossover performance Bondage + improvised (noise) music. We combine here our common taste for bondage and noise music, and we use instruments as basic as possible to compose an...(cont.)
2016 || Each man* kills the thing he loves || Ann Antidote Lun Ário
burlesque and bondage: a tribute to Fassbinder's Querelle and that glorious faggot O. Wilde
burlesque and bondage: a tribute to Fassbinder's Querelle and that glorious faggot O. Wilde
2015 || Who is not here || Ann Antidote Raja de Luna Lun Ário
“Who is not here” In solidarity movements, political networks, or in our daily lives, some persons or groups are systematically forgotten. This performance evoques the forgetfu...(cont.)
“Who is not here” In solidarity movements, political networks, or in our daily lives, some persons or groups are systematically forgotten. This performance evoques the forgetfu...(cont.)
2014 || Cunt to Cunt, follow the rope way || Lun Ário Ann Antidote
Transdsciplinar act (burlesque, dance, bondage installation) At the crossroad of "Vaginale pleasures", there is countless possibilities and as much for Cunt expressions. We would l...(cont.)
Transdsciplinar act (burlesque, dance, bondage installation) At the crossroad of "Vaginale pleasures", there is countless possibilities and as much for Cunt expressions. We would l...(cont.)
2014 || The Four Horsemen of the Apocowboylypse || Ann Antidote Caine Panik
rough, tough und natürlich 100% hetero? Vier Drag Kings räumen mit den Vorurteilen auf, ohne sich selbst zu ernst zu nehmen, und zeigen, dass unter den Karohemden unerwartete Din...(cont.)
rough, tough und natürlich 100% hetero? Vier Drag Kings räumen mit den Vorurteilen auf, ohne sich selbst zu ernst zu nehmen, und zeigen, dass unter den Karohemden unerwartete Din...(cont.)
2013 || Rapunzel, a hairy story about identities || Ann Antidote Chantel C.
Not only splitting hairs.
Not only splitting hairs.
2013 || For Christ's sake, what the hell do you think you are doing? || Lun Ário Ann Antidote
At the cross, Christ suffers for all sinners and actually is boring himself to dead, actually. All that solitude, suffering and blood seem all of the sudden so anachronistic. All o...(cont.)
At the cross, Christ suffers for all sinners and actually is boring himself to dead, actually. All that solitude, suffering and blood seem all of the sudden so anachronistic. All o...(cont.)
2012 || When granny walks the door || Ann Antidote Emy Fem Lun Ário
When granny walks through the door, disciplines flies through the window A burlesque not fit for intellectual rantings although with a hint on ageism awareness and a taste for unus...(cont.)
When granny walks through the door, disciplines flies through the window A burlesque not fit for intellectual rantings although with a hint on ageism awareness and a taste for unus...(cont.)
2012 || Bond-Age d'Amour || Ann Antidote JNY1 Kay P. Rinha
Performance developed by JNY1, collective implementation. An old bordel, seduction, competition, melancholy,anarchy as politics, utopia and joy, and the unavoidable coming of age.
Performance developed by JNY1, collective implementation. An old bordel, seduction, competition, melancholy,anarchy as politics, utopia and joy, and the unavoidable coming of age.
2012 || Placet Plus Ultra || Ann Antidote KAy Garnellen Lun Ário
Of Rome, mother, or step-mother of all orgies, that merciless giant lying half asleep on the banks of the Mediterranean sea, we know of ambitious politics and intrigues, its omnip...(cont.)
Of Rome, mother, or step-mother of all orgies, that merciless giant lying half asleep on the banks of the Mediterranean sea, we know of ambitious politics and intrigues, its omnip...(cont.)
2012 || Cuntries of the world || Ann Antidote Lun Ário JNY1 KAy Garnellen
Cuntries of the world, the fishy answer to "where do you come from" A performance on cultural profiling, and about the rope of identities in general. Based on a performance by: Ann...(cont.)
Cuntries of the world, the fishy answer to "where do you come from" A performance on cultural profiling, and about the rope of identities in general. Based on a performance by: Ann...(cont.)
2012 || Where do you come from? A cocky answer... || Ann Antidote Lun Ário Carlos Vargas
About identities and how they go under your skin. Cultural profiling. "I am this also": the identities we choose, the identities we did not choose, the identities which also const...(cont.)
About identities and how they go under your skin. Cultural profiling. "I am this also": the identities we choose, the identities we did not choose, the identities which also const...(cont.)
2012 || Offrande Blanche || Lun Ário Ann Antidote JNY1
A ritual and subversive exploration beyond gender. Transdisciplinar performance by Lun, Ann Antidote and Jn1 (video/dance/bondage). Music by Antidote and Lun Ário
A ritual and subversive exploration beyond gender. Transdisciplinar performance by Lun, Ann Antidote and Jn1 (video/dance/bondage). Music by Antidote and Lun Ário
2011 || Bondage Performance || Ann Antidote Lun Ário
(japanese) Bondage performance. Depending on the event it can be what it says in the package or involve additional performative elements and/or story telling.
(japanese) Bondage performance. Depending on the event it can be what it says in the package or involve additional performative elements and/or story telling.
2011 || There is no place like home || Ann Antidote Lun Ário KAy Garnellen JNY1
The performance "There is no place like home" was developed in less than 24h for Queer Riot Club at Tachelles (after we realised we couldnt do the original performance on the stree...(cont.)
The performance "There is no place like home" was developed in less than 24h for Queer Riot Club at Tachelles (after we realised we couldnt do the original performance on the stree...(cont.)
